Saturday, 18 September 2010

Leonard Cohen The Master

Leonard Cohen at St Margarethen
I first heard Leonard Cohen when he was playing his songs on a beach in the South of France in 1964. Ever since he has been the most interesting and influential of singers and songwriters to me and many of my generation.


He disappeared from the stage in 1993 and entered a Buddhist monastery. In 1998  he encountered Ramesh Balsekar and spend six months with him before realising his master's teachings for himself.


 Incredibly after almost 50 years, his career appears to be at its height. From 2008 onwards, he undertook on an almost non-stop concert tour of the world - said to be his last (he's now 75). He's singing in Sydney in November and will give a final concert  in Las Vegas in December (he has avoided singing in the USA until now).  


So powerful are his concerts that when the tour arrived in New Zealand in January 2009, Simon Sweetman wrote in The Dominion Post "It is hard work having to put this concert into words so I'll just say something I have never said in a review before and will never say again: this was the best show I have ever seen." 

His has also been voted the best performance of everyone who has headlined at Glastonbury.



His tour repertoire is roughly the same at each performance and has been beautifully captured in the DVD 'Live in London' recorded at the O2 in November 2008. When he appeared in the 2nd century Roman stone quarry amphitheatre at St Margarethen in Burgenland, on 5th September 2010, the concert was equally stunning, but the performance was the more remarkable in that the temperature that night was only 11C (see the scarf he is wearing in the photo above).


In addition to his songs, his stage performance is characterised by the reverence he shows for his fellow musicians, introducing each of them with gentle laudatory words and often kneeling before them as they perform solo riffs. They have been the same throughout his world tour - a backing trio of Sharon Robinson and Hattie and Charlie Webb,  accompanied by Roscoe Beck (bass, vocals and musical director),  Neil Larsen (keyboards & Hammond B3 accordion), Bob Metzger (electric, acoustic & pedal steel guitar), Javier Mas from Barcelona (bandurria, laud, archilaud, 12 string acoustic guitar), Rafael Gayol (drums, percussion) and Dino Soldo (sax, clarinet dobro – keys) all of who are nothing less than the finest virtuoso musicians in their own right. It says much for his personality and character that the entire group has travelled the world playing countless concerts with him for over two years. If you can't now get to one of his final concerts, do order the DVD. 


Click here for a recent New York Times article 

Postscript: Following his death in November 2016, there has been an outpouring of love and appreciation for his unique talent. Some wonderful eulogies have been written, this one in The Big Issue:

A lovely piece in The Big Issue this week: "There are people, a small number of people, who are navigators. They see things, plot the course, and we hitch up behind them. The very best gif these people are with us on lifelong trips. They find ways to communicate in ways that the rest of us can't. They are associated with certain memories that are buried deep and hardwired. The great ones, like Leonard Cohen, are also very funny. Without a sense of humour, whether it lands darkly or in crapfalls, we really are lost. The sadness felt at someone like Leonard Cohen dying is really a complex thing. A permanence eroded, the world feeling a little darker, intelligence dimmed. And I have yet to find a Cohen fan that I didn't like.' Paul McNamee.

5 comments:

  1. Yes , a master.Do they make them like this anymore?

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  2. Unadulterated Cohen can be a bit too much. In the words of Alexei Sayle, 'Do you remember when we were students? It was come back to my flat and we can play some Leonard Cohen records and then kill ourselves.' I thought Jennifer Warnes, with a bit of support from Cohen, did some very good - and much less miserable - interpretations in the late eighties of his material.

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  3. Anonymous3:18 pm

    He was born in 1934, will turn 76 on Tuesday. Which songs would you have been hearing in 1963?

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  4. That's interesting and made me think. I've referred to my first hearing of his songs in my archive here http://lawfordherry.blogspot.com/2008/04/france.html - and see that it's 1964, not 1963 (which I have now corrected above, (as with his age). There was a man who I met every day playing his guitar on the beach at Cap d'Ail. I never knew his name, but he played at least 'Suzanne' and some others and said that he had written them himself, but when I heard them later I realised that they were in fact Leonard Cohen songs. Could it have been Leonard himself? We were both interested in a beautiful Swedish girl, Lena, who shared the beach with us and I later assumed that he had plagarised the songs to impress her; but maybe not!

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  5. Rather fond of Leonard Cohen myself although not a huge face. My pre 1980 musical knowledge comes from my mother and she apparently wasn't a big Cohen fan.

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